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Mayank Shekhar’s Review: Raanjhanaa

 
Overall Rating
 
 
 
 
 
1.5/ 5


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60 total ratings

 


10
Posted June 21, 2013 by

 
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Uh oh, why this Kolaveri di?

Raanjhanaa

Director: Anand L Rai

Actors: Dhanush, Sonam Kapoor

By Mayank Shekhar

It might make more sense to see why this film got made than what it is about. Firstly, there is immense commercial logic in aiming for a movie that audiences relate to as a wide-screen romantic, relationship saga. The prime patrons are predominantly women, often in groups, but more likely than not, with their husbands or dates in the theatres. There is repeat audience at home on television. Action films can be limiting in that sense. Their hardcore connoisseurs are mostly male. Dilwale Dulhaniya Le Jayenge (1995) is still playing at Maratha Mandir in Mumbai; Bodyguard (2011) is long forgotten.  

This is a romance. The girl is Muslim. The boy is Hindu. The only thing worse than death is them even considering getting married to each other. But that isn’t the point. The girl isn’t interested in him anyway. She has a boyfriend (Abhay Deol, credited as a special appearance). The boy (Dhanush) is a harmless stalker, if that is ever possible, and he possesses extreme masochistic tendencies. She (Sonam Kapoor) should ideally stay miles away from him. She encourages his second-rate moves instead, seeing him briefly, then forgetting what he even looks like, slapping him, or casually entertaining his marriage proposals over as many years as it probably took her to say hello to Shahid Kapoor’s character in Mausam.

Religion still is at the core of this film. As it is for so many lives in India in general. The actor playing the hero’s part is from the South, and son-in-law of Rajnikanth, no less. The feather-weight heroine with a wide smile and glint in her eyes is the daughter of Anil Kapoor, a Mumbaikar of Punjabi origin. The film is for the most part set and shot in Banaras in Uttar Pradesh, and for a fair portion in Delhi. If you were looking for an audience base, it’s hard to traverse further than all the way from Chandigarh to Chennai. The crores in the film, as you can tell, have been spent keeping a lot of mathematics in mind.

Therein lies the trouble with a lot of people’s crores. It encourages blockbuster filmmaking by consensus, where everybody has a stake and therefore an idea, or at least that’s what it seems like over here. When a film has nothing in particular to say, it ends up saying so much that nothing makes sense.

Eventually you’re not sure if this is a movie about the dangerous nature of unrequited love (Darr). I think I counted at least five suicide attempts between three characters in under three hours. Or is this regular romance between a couple from two different classes (Raja Hindustani), the heroine is educated, the hero is not; or from separate religions (Gadar). Were we watching instead a drama on the mechanics of Indian politics and the concept of equality and the Left (Shanghai, Matru Ki Bijli Ka Mandola). For almost half the duration it did seem so (the heroine and her boyfriend are popular student activists knocking on the doors of mainstream politics). Or, well, is this basically an expensive form of projecting the Chennai man before us as an unconventional super-star for the North?

The latter sounds most likely. Dhanush is already a popular leading man in Tamil Nadu. Most others would know him from the YouTube “Kolaveri Di” video that went viral nationwide. It couldn’t have been easy for him to get his Hindi right – to dive deeper into perfecting a peculiar Banarsi or UP accent might be asking for too much. Once in a while his Tamil intonations show up. Just for the way he looks in the film, right mix of a mild hooligan and an innocent sadak chhaap, he seems to have been cast correctly, for the promos anyway.

His character is supposed to be gifted with great inter-personal skills. It doesn’t quite show. His story is that he’s followed the same girl in his neighbourhood for over a decade. He believes there are two ways to land the girl you like: through mehnat (hardwork, or persistence) or darr (scaring her, by slitting his wrist, for instance). There is nothing especially likeable about this loser guy Kundan. But you could say the same about Devdas. The filmmakers hope there would be many like him inside a single-screen theatre, identifying with his rustic, insane aashiqui. They have in the past.

The locations look richly authentic. The wide canvas seems stunning still. As they do quite often now, since more and more mainstream filmmakers have begun to shoot outside the fake confines of studios and inside their own country. Mani Ratnam was the only director who would regularly exhibit this sort of movie magic with stories reflecting our times in the ‘90s. AR Rahman would heighten excitement levels with his divine score.

Rahman’s composed the music here. The influences range from jazz to qawali, background score is more or less western/classical. As with many great Rahman soundtracks, you may need to play it on a loop a few times before arriving at favourite tracks or rejecting everything altogether. At this point, I’m ready to go with the soft, mushy “Aise Na Dekho”. It sounds a bit like “Rehna Tu” from Delhi 6 – speaking of which, is there a case for making a whole film only because the music composer may be in good form? I am sure there is. Can that be a compelling enough excuse to sit through close to three hours of complete gibberish? Unlike this Kundan fellow on the screen, I really hope you have things to do in life. If not, sure, get in.


 


10 Comments


  1.  
    sarah

    strange review…. hatred in de name of a movie critic is v much underwhelming! seems lik de author has tried his very best to show himself interesting at de cost of a movie…not suprised thr aint any comments here… cheers :)




  2.  
    Varsh

    Can’t expect anything more from a critic who gave 3.5 stars to YJHD




  3.  
    Abhilash Sharma

    I think this is one is the most biased review you have ever written, may be because you couldn’t relate with the life of a guy living in small town.

    But what surprised me is your understanding of film mathematics and if we follow the same pattern then Rang de Basanti is the most calculated film….One star who’s muslim playing the punjabi character, Delhi based story, college campus, madhvan and sidharth to capture south, one gujrati actor playing haryanvi character, one marathi actor, unnecessary scene of golden temple, youth based music, footage of more than ten university ..then why not you mention all these in the review of rang de basanti.

    If that so easy then every mathematician and management guy will turn into a filmmaker.




  4.  
    Alka

    The Movie is really awesome !!! Dhanush is too good …Script is really good ..




  5.  
    abhishek ravichand

    This has to be one of the worst reviews i have ever come across,completely biased,not everyone may associate with dhanush’s character( i personally liked it),but terming the film as 3 hours of gibberish is hyperbole.




  6.  
    rahul

    what about dhanush’s acting man..he is national award winner for best actor and he has proven in raanjhana also..tumko kisne bola be review dene k liye saala dainik bhaskar ka level waise bhi kuch nahi he tum aur jai prakash chaoukse jaise log aur bhi level kharab kar rhe ho aur saala ab dainik bhaskar band karwana pad raha he..seriously man either u have been given bribe for this reveiw or u r not good at ur work..jaao ja ke apne seniors se seekho aur dhanush ko zara apna muh dikha dena usko bhi to pata chale ye mayank shekhar hai kaun..




  7.  
    foryoureyesonly

    Nice review.Agreed with the Mayank.As for teenagers the director should have cast younger actors.Then it could have make a better sense as why Zoya could not recognise Kundan (the boy because of which she had to leave)when she returns?Even when they look exactly same after eight years gap.Where were Abhay’s parents during his wedding?After all it was an arrange marriage.And after the film goes to New Delhi/JNU it becomes completely stupid and something that is hard to believe.The HERO dies in the end. HEROINE goes to jail.What a Tragedy?So sad.Why this film is getting acclaim is understandable somehow.I mean Salman “Bhai” is Superstar here.His “films”(Of course no matter what they are they still qualify the defination) earns 100s of crores here.Same audience.




  8.  
    neeraj

    chutiya review by great chutiya of all times..fuck off





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